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文様からみた有田磁器―17世紀~18世紀を中心に―


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Title: 文様からみた有田磁器―17世紀~18世紀を中心に―
Other Titles: Arita porcelain from the viewpoint of pattern in the 17th-18th centuries
Authors: グェン, ティ・ラン・アィン
Authors (alternative): Nguyen, Thi Lan Anh
Issue Date: 18-Mar-2019
Publisher: 長崎大学多文化社会学部 / School of Global Humanities and Social Sciences, Nagasaki University
Citation: 多文化社会研究, 5, pp.155-167; 2019
Abstract: Arita porcelain manufacturing began in the 17th century, when raw porcelain material was discovered in Izumiyama. Arita porcelain had been developed into many different styles over its not very long lasting history such as blue and white style, blue and white in color style, or a new style of ceramic called Akae created by Kakiemon, Old Kutani style which has beautiful designs in bright red, yellow and green inherited. From the beginning, Arita porcelain had been famous for its delicate and beautiful patterns influenced from China, especially Primer on Eight Varieties of Painting a compilation of eight texts on poetry and painting published in China. After several times of product generating innovation, Japanese porcelain has various attractions with different techniques and had been little by little domesticated in pattern-centered to generate a very specific Japanese style. In the latter half of the 17th century to 18th century, Arita porcelain was sold not only domestically but also internationally. Until the end of 18th century, Chinese pattern style had been completely discarded from every Arita porcelain product. Not only that, Arita porcelain had also created a great influence on porcelain kilns from some European countries, imitated from Kakiemon-style products that showed greatly successful proof of Arita porcelain.
Keywords: Arita porcelain / Eight Varieties of Painting / blue and white / Japanese pattern
URI: http://hdl.handle.net/10069/38912
ISSN: 21891486
Type: Departmental Bulletin Paper
Text Version: publisher
Appears in Collections:Volume 5

Citable URI : http://hdl.handle.net/10069/38912

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